第二季以美食为中心，逐步解构湘菜，如行云流水般，将湘菜的历史与未来，食材与技法一一呈现，在一道道美食中，观众不仅可以欣赏其妙手神技，更是看到了湘人与自然相处的智慧、湘人融合五味的智慧和湘人敢于创造的精神。
该剧共三集，聚焦约翰尼·德普和安珀·希尔德关系破裂的审判案件，讲述了审判过程及其对所有相关人员的影响，以及当事人为何决定将其作为一场公开的法律官司而非私人官司。
aespa出道3周年纪录片《aespa: MY First page》记录了aespa新人时期的采访和热曲表演现场实况等，于2024年2月在韩国乐天影院独家上映。 这部电影包含了从2020年11月《Black Mamba》出道新人时期成员们的真实采访，到独一无二的热门歌曲舞台实况等，原本地记录了aespa成为代表K-POP艺人的过程和隐藏的努力，预计将会引起热烈的反响。
厌倦了逃亡生涯的匈牙利赝品画家艾米尔•德霍瑞（Elmyr de Hory）于1969年回到西班牙伊维萨岛，成为岛上名人，并结识了美国作家克利福德•艾尔文（Clifford Irving）。导演奥逊•威尔斯在介绍艾米尔•德霍瑞的同时穿插讲述了曾轰动一时的克利福德•艾尔文造假美国飞行业大亨霍华德•休斯自传案，随后又杜撰了女友欧嘉•蔻达（Oja Kodar）与毕加索之间的一段奇事。真假穿插中，奥逊•威尔斯提出了“艺术是什么”与作品归属权的问题。 本片是美国导演奥逊•威尔斯的最后一部完整的电影作品，大部分镜头素材来自由艾尔文•克利福德编剧，法国导演弗朗索瓦•莱兴巴赫（Francois Reichenbach）导演的关于匈牙利赝品画家艾米尔•德霍瑞的BBC纪录片。
这种独特的电影体验深入到一位艺术家的作品中，揭示了他的生活道路、灵感和创作过程。它探索了安塞姆对神话和历史的迷恋。过去和现在交织在一起，模糊了电影和绘画之间的界限，让观众完全沉浸在当代最伟大的艺术家之一安塞姆·基弗的非凡世界中。维姆·文德斯用两年的时间，以惊人的3D技术拍摄了这幅独特的肖像画。
《西寧國宅》呈現蔡明亮對於早期社宅的回首凝視，純粹以畫面紀錄將逝的社會場景及流竄的城市謠言，更回看早期作品《海角天涯》與《洞》的歲月痕跡。西寧國宅面臨拆遷之際，如今還住在那的上百戶人家，有什麽想法？有什麽感受？是捨還是不捨？蔡明亮作為一個與西寧國宅有些許因緣的影像創作者，只想好好地再看她一眼。
这部带有讽刺意味的黑暗指南聚焦历史上最臭名昭著的黑帮大佬，探寻他们的兴衰以及成功之道。
这部纪录片讲述了史上最大数额的抢劫，他们因犯下的罪行获得了“比特币雌雄大盗”的绰号，而故事一步步变得更加离奇。
Heritage (2023) unfolds the story of a military alternative social worker and a social worker who supervises him. Nuanced performances, unprecedented humor, sudden moments of silence, and distinctive dialogue collectively shape an innovative cinematic style, enhancing the film's unique novelty.
In an intensely personal and often surprising film for BBC Two, Depression And Me, Alastair Campbell explores if radical new treatments can stop his depression. Campbell is best known for his role as Tony Blair’s formidable and often contentious spin doctor but, away from the public eye, he has been dogged by crippling bouts of depression for most of his life. Some days, just getting out of bed is too hard. Therapy and anti-depressant medication is helping him keep his head above water - but is that really the best he can hope for? Alastair Campbell says: “I’ve been on antidepressants for years and years and none of them can stop it. I want to understand my depression and find out if modern science has any better ways of treating it. I’m hoping there’s something out there that can help me lead a happier life. “I feel we are nearing a tipping point in the battle to demolish the stigma and taboo surrounding mental illness and TV is a very good medium for bringing these issues right out into the open. I have never regretted being open about my own issues but an important part of this film is also seeing my depression through the eyes of members of my family, especially my partner Fiona. I was also keen to get out there and find out what kind of progress was being made on the scientific and research front. There is a lot going on. My worry is that we are winning the battle for better awareness but losing the battle for the services we need. "I was very pleased with the reaction to the film in Sheffield [at Doc/Fest]. One film alone cannot change the world but there is finally the focus on these issues that we need and hopefully one day we will have services to match.”
从70年代的最佳新人到80年代的流行偶像，乔治·迈克尔和安德鲁·瑞吉里通过档案采访和影像资料，回顾威猛乐队的音乐生涯。
新疆暴恐案件的幸存者和亲历者有何话要说？新疆为维护稳定与安全付出了怎样的巨大代价？
